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![]() The record peaked at number one in Australia, the UK and the US. It became the first album to sell over 10,000 units in Finland. Elsewhere, the album achieved large sales in the UK, Japan, Canada and Australia, becoming one of the best selling records of the 1960s. The Sound of Music soundtrack sold 500,000 copies in its first two weeks in the United States. In 2018, the soundtrack was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant." Reception All songs were arranged and conducted for the soundtrack by Irwin Kostal. For the original Broadway show, the music was written by Richard Rodgers with lyrics by Oscar Hammerstein II both the lyrics and music for the new songs were written by Rodgers, as Hammerstein died in 1960. Three songs from the original Broadway production, "An Ordinary Couple", "How Can Love Survive?", and " No Way to Stop It" were replaced, in the film, with two new songs, "I Have Confidence" and "Something Good". ![]() These CD editions incorporate musical material from the film that would not fit on the original LP, with the 2023 release presenting the score in its entirety and including 40 unreleased tracks, such as alternate takes and other material removed from the final film version. The album has been reissued several times, including anniversary editions in 1995, 2000, 2005, 20, and in 2023 as a 5-disc Super Deluxe Edition. The album also stayed for 73 weeks on the Norwegian charts, and as of December 2017 it is the tenth-best-charting album of all time in that country. It was the best-selling album in the United Kingdom in 1965, 19 and the second-best-selling of the decade, spending a total of 70 weeks at number one on the UK Albums Chart. In 2015, Billboard named the original soundtrack album the second-best charting album of all time. It remained on the Billboard 200 for a total of 238 weeks. The soundtrack spent two weeks in the number one position on the Billboard 200 in 1965 and remained in the top ten for 109 weeks, from to July 16, 1967, the most of any soundtrack in the chart's history. The soundtrack has been issued in German, Italian, Spanish and French. The soundtrack of the film The Sound of Music, music and lyrics by Rodgers and Hammerstein, was released in 1965 by RCA Victor and is one of the most successful soundtrack albums in history, having sold more than 20 million copies worldwide. ![]() Nobody spins the sort of elaborate yarn that would, in retrospect, be a breathtaking display of chutzpah once it’s revealed to have been total bilge – that is, the kind of thing that makes Would I Lie to You? such a lark. The trouble is, it’s also quite hard to care. You what? Interrogators George Rhoden and Danni Brooke. ![]() In a couple of cases, an absurd claim or glaring missing detail that the liar isn’t quick enough to cover with smart improvisation does make it obvious that they are not the one, but mostly it really is hard to know. What is confusingly billed in the show’s press notes as “the grilling of their lives” in a “pressure-cooker environment” is more of a quick warming in a low oven, provoking only small hesitations and tells for armchair body-language connoisseurs to snack on. If they actually did what presumably they could do, and expose a liar by zooming in without mercy on the discrepancies in their accounts, it would spoil the bit where the guesser – and those playing along at home – have to decide who isn’t lying. Billed excitingly as “the interrogators” and given further mystique by the show’s industrial-chic set design – glass walls, bare bricks and cavernous unoccupied spaces, like a Berlin nightclub on a quiet Monday – it’s the sternly attired former coppers to whom the storytellers must relay their experiences, real or fictional, answering questions as they go and trying, if they’re lying, not to be found out.Ī fearsome ordeal? Not really, since the experts have to keep themselves on tight leashes. You Won’t Believe This joins Hunted (Channel 4) and The Heist (Sky) in a new sub-genre of gameshows where contestants must outwit retired mainstays of Britain’s law enforcement elite: extensively trained professionals who used to trap the country’s sneakiest criminals, and who are now forging careers as pretend showbiz sleuths. Pick a liar and the liar wins the five grand. If a fifth contestant, who hears all the stories, can then identify which one isn’t a lie, they win £5,000. ![]() Only one of these people is telling the truth. Punters arrive in groups of four, each of them obliged to tell a personal story on a particular theme, the first one being: “I opted out of civilisation.” Someone explains how they once joined a cult, then rival participants spin tales about the time they took a vow of silence for a year in a Spanish monastery, the time they lived for a week as a goat in the Alps, and the time they left home to reside in an underground bunker due to their fear of nuclear Armageddon. Would it, Channel 4 wonders, perhaps work not as a panel game but a gameshow, without the famous people and with members of the public lying to win a cash prize instead? And we have the answer, as Channel 4 has gone ahead and made that programme and called it You Won’t Believe This: no. It is a hit, which means it must be imitated. Moreover, individuals’ living with disabilities have demonstrated to exhibit lower personal wellbeing when compared to their cohorts which can be related to the degree of loneliness (Emerson et al., 2021).Would I Lie to You on BBC One – a great show! Everyone loves it: the concept of outrageous yarns that may or may not be true lets celebrities display gifts for comic timing and talking off the cuff that we never knew they had. (2020), in marginalized groups such as those living with disabilities, an individuals’ identity is often connected to their disability and the ability to connect within the disability community is critical for one to navigate social barriers. The Invisible Disabilities Association (IDA) strives to bring awareness to invisible disabilities to educate, connect people and organizations to make the invisible, visible.Īccording to Forber-Pratt et al. Invisible disabilities such as Bipolar Disorder (BD), Autism Spectrum Disorder (ASD), Multiple Sclerosis (MS), Human Immunodeficiency Virus (HIV), deafness, blindness, and Traumatic Brain Injuries (TBIs) are some common examples of invisible disabilities. The most prevalent types of disability were found to be pain 9.7% and flexibility 7.6% (Stats Canada., 2012). According to Stats Canada (2012) there are 2.3 million people living with a disability in the working population from 15-64 years of age. The stigma associated with having a disability has significantly affected the visibility of disabilities as people are taught to internalize their symptoms to the best of their ability or to disregard the symptoms altogether which only causes harm. More often than not, disabilities are invisible whether the disability is psychosocial, physical, and/or developmental. Invisible Disabilities week runs from October 16-22 this week is intended to bring awareness to individuals living with invisible disabilities. But again we stress the point: it’s a specialist skill, and you’ll need a technician to do it for you. Voicing is more a matter of personal preference than either tuning or regulation, and many pianists will never need to have it done at all – and that’s not a problem. There’s one other thing to keep in mind when it comes to maintaining your piano: Voicing, which involves making the hammer felts harder or softer to change the brightness of the sound. ![]() It requires tools and skills that not all piano tuners will have, and as Aristotle would have it: all technicians are tuners, but not all tuners are technicians. Regulation is something that you’ll need a piano technician – not necessarily your normal tuner – to do. Where tuning affects the motion of the strings, regulation affects the motion of the hammers. It’s intended to minimise the loss of energy between the player’s fingers and, ultimately, the strings at the bridge, thus maximising the amount of control that the player has, and enhancing the piano’s musical potential. The process of ensuring that all these parts are correctly aligned and moving smoothly is called regulation. An acoustic piano, be it a grand or an upright, contains not hundreds but thousands of parts, most of which are in the action (the mechanism between the keyboard and the strings), and most of those are small, precise parts that need to be positioned within a very small tolerance to function properly. ![]() You’d be hard pressed to find somebody who didn’t know that pianos need to be tuned, but taking proper care of your instrument is actually a bit more involved than that, and it isn’t something that any tuner can do. |
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